Italian producer Lorenzo Mieli is one of the speakers at the CAA and Finch & Partners The Future of… Creativity forum unfolding today on the fringes of the Venice Film
A viral video of a pupil threatening his classmates leads him and two fellow adolescent outcasts to seek refuge in a forest in German writer-director Jannis Lenz's feature debut
EXCLUSIVE: Louis Partridge (Enola Holmes) and Anson Boon (MobLand) are set to star in Andy & Orson, the feature directorial debut of writer-directors Nathan Newman and Arnold T
Salomé searches through decades of family footage for the reasons for her mother’s sadness in Bibiana Rojas Gómez and Juan David Cárdenas Maldonado's film
Exclusive: Director Rami Kodeih's exciting new feature follows two women who hatch a scheme to rob a Beirut bank, and take back their own money. Watch a first clip.
Norway's Lene Berg is attending the Venice Gap-Financing Market as she looks to finish her very personal film that explores such themes as the narratives that we create.
“In my more than 40-year career, I’ve never been put in the position of being a decoy,” says Alex Brandon, chief White House photographer for The Associated Press. “Wild
The most remarkable thing about Miike Takashi — whose filmography spans well over a hundred features in a smorgasbord of different genres and styles — is that he has never made a
India’s queen of television Ekta Kapoor is betting that Indian viewers walking away from appointment television will still watch long-running fiction, just on YouTube’s terms
AR Content, Vertigo and Blumhouse Atomic Monster are teaming up to remake “Vincent Must Die,” the acclaimed French Belgian thriller directed by Stéphan Castang that premiered in
EXCLUSIVE: Here’s a first look at writer-director Josh Appignanesi’s seventh feature Coming of Age, which he co-wrote with longtime collaborator Devorah Baum. The film
“Free Solo” directors Elizabeth Chai Vasarhelyi and Jimmy Chin return with their most personal film to date. In “Everest: The Other Side” — screening in Venice and Toronto —
When Alexandre Smia began writing “Jupiter,” his gripping feature directing debut about a newly elected French president confronted with the possibility of nuclear war with